Perspective

Perspective
In the case of the flat surfaces lying below the level of the eye, the more remote part appear higher. In the case of lines extending toward, those on the right seem to be inclined toward to the left, and those on the left seen to be inclines towards the right.

Perspective naturalis
Euclid- (3rd cen bc) assume light travel in straight lines and observed the geometric laws governing.

Roman/ Perspective
- Parallel lines converge towards the observers and not a perspectual vanishing point.
- Roman perspectives learn drawing from Greek.

1. Roman theatre
- Distance made it possible for space itself to become an object of artistic presentation

2. Pompeiian wallpainting
- No particular view point, more imaginery

Perspectiva artificals
15-16th century optical theory, had distanced itself from classical optics.

1. Studiolo, Designed by Frances co di Giorgio Martin. 1439- 1502
Suggest varies form

2. Albertis window
- grid system
- Albertis emphasized the difference between the drawings of paintings and the whole architects. Both reveal deepth but different way.

3. Sebastiaco Serlio
Perspectivea artificalis was of interest to painters and architects who designed theatrical stage sets.

4. School of Pierodella Francseca

5. Vincenzo Scamozzi, Teatro Sabbioneta 1588-90
- Vertical and horizonetal
- Interested in ballistics, encourage perspectives

6. Borrouim Palazzao Spada 1540
" Ideal regular model and deformed real model"
- expand imagery
- Juxaposition

Anamorphosis/ Distorted perspective

1. Hans Holbein Two Ambassador 1553
This drawing in scale, but skull distorted

2. Abraham Boss Mauceri universelle

3. Quadratuva: fusion/ archtecture and painting
light described mathematically because nature is mathematical and that light is the link between corporeal and physical world.

Perspective as the privileged form of symbolisation

1. Andcca Pozza, 1684- 05
2. Pietro Autoni 1674

Camera obscura
1. John Jalcob Schcceblev, 1719
" A geometric vision of a transcendatal infinity, symbolic and yet distant form living space."

2. Palace and garden of Versaillis, J bowles 1726

3. Giovanni Battista Piranesi, St Retur Square 1764

4. Giambattista Piranesi, 1760-61
"explore and de structure how genus space"

Visionary Space + Infinity
19th century, scientific archtectural drawing.
19th century, axonometry- Engineer complex 3 dimensional, distortion convention of engineering works

1. Henry Hobson Richardson, 1974-5

2. La cite industrielle, Tony Garnier 19193.


3. Enrich Mendelsohn 1917
- outline
- Berliner Tageshitti

4. Gerrit Rietveld
Schroedier House

5. Frank Lloyd Wright
" No man even built a building worthy of the name architecture who fashion

6. Richard Neutra 1928

7. InaCom

8. Neutra, Beard House

9. Le Corbusier 1930s

10. Zaha Hadid, (AA) Hong Kong Peak Club Project 1982